...and thus a non-working holiday. Good thing I'd run over to the bank yesterday and paid the credit card bill.
So today, blew off work (because, again, non-working holiday, so even though I work from home,
hello holiday) and blew chunks out of my savings account with lo, many, many books.
A couple of the
really interesting books I picked up:
 | | (From the Introduction) Clearly, one of [Chesterton's] chief strengths as critic is a wit that matches Dickens's own. The book is full of memorable expressions. To give a few examples:
[Dickens's] art is like life, because, like life, it cares for nothing outside itself, and goes on its way rejoicing. Both produce monsters with a kind of carelessness, like enormous by-products; life producing the rhinoceros, and art Mr Bunsby. [p10]
If Dickens learnt to whitewash the universe, it was in a blacking factory that he learnt it. [p21]
Other people's lives may easily be human documents. But a man's own life is always melodrama. [p101] |
(From the cover) In our zeal to embrace the wonders of the electronic age, are we sacrificing our literary culture? Renowned critic Sven Birkerts believes the answer is an alarming yes. In The Gutenberg Elegies, he explores the impact of technology on the experience of reading. Drawing on his own passionate, lifelong love of books, Birkerts examines how literature intimately shapes and nourishes the inner life. What does it mean to "hear" a book on audiotape, decipher its words on a screen, or interact with it on CD-ROM? Are books as we know them dead?
At once a celebration of the complex pleasures of reading and a boldly original challenge to the new information technologies, The Gutenberg Elegies is an essential volume for anyone who cares about the past and future of books. | |  |
My bedside table pile, it is teetering.
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freehold, for my new complete (so far) set of A Song of Ice and Fire. Drink lots of salabat, unless you want to impress more cab drivers as well as the British embassy with your *snortgigglesnort* bedroom voice. *hyurk*
